Nebahat’s work takes on various forms intended to draw in the viewer as co-author, participant and witness, to create new and unpredictable cycles of thoughts and associations, providing an experimental chance to challenge one’s perceptions, perspectives and assumptions about dance. The use (or absence) of materials in her work are calculated, where avenues of the unexpected and unseen are investigated, to subvert ironic twists to bodies, images or things, provoking audiences to new and perhaps unexplored territories in dance. While she uses a variety of materials and processes in each project and these projects are linked by recurring formal concerns and conceptual themes, the subject matter of each body of work determines the materials and the work.
